Monday, 12 April 2010
Take School Outside
Friday, 22 January 2010
Winter Nature Study
Wednesday, 18 November 2009
Let the Child Choose the Material
Friday, 25 September 2009
Using the Handbook of Nature Study
Wednesday, 2 September 2009
Monarch Butterfly Rearing Kits are still available!
Order yours today!
- Last order date is September 11, 2009
- Monarch Butterfly Rearing Kits are available while supplies last.
- A limited number of kits are available
Once again we are taking orders for Monarch Butterfly Rearing Kits - everything you need to Raise, Tag & Release your very own Monarch Butterflies!
Be amazed as your caterpillars miraculously develop into beautiful Monarch butterflies! Plus, this kit provides everything you need to RAISE, TAG & RELEASE your butterflies and track their migration to Mexico as part of the MonarchWatch international research project.- AVAILABLE BY PRE-ORDER ONLY
- PRE-ORDERED MONARCH KITS MUST BE PICKED UP AT WINGS OF PARADISE ON SEPTEMBER 12th, 2009 between 10am and 4pm
- RECEIVE FREE ADMISSION FOR YOU & up to 3 GUESTS WHEN YOU PICK-UP YOUR KIT ON SEPTEMBER 12th, 2009 between 10am and 4pm
| EACH KIT INCLUDES everything you need to RAISE, TAG & RELEASE five Monarch Butterflies:
|
Thursday, 20 August 2009
Combining High School Biology and Nature Study
Saturday, 18 April 2009
Posters
I recently received about 10 posters (birds, reptiles, caterpillars/moths, mammals, flowers) from the Canadian Wildlife Federation for free - you can donate but there was no talk of it on the phone - just in the pre-message part.Just call 1-800-563-WILD and ask for whatever complimentary posters they have available and give them your address. They're very nice!
Sunday, 22 March 2009
Spring Outdoor Hour Challenges: Birds
All Barb's Outdoor Hour Challenges include a reading from Anna Botsford Comstock's Handbook of Nature Study, and outdoor challenge, and a follow up indoor activity, usually relating to entries in a nature journal.
This is a great challenge to participate in to ramp up your Nature Study times with your children now that the weather shows potential for cooperation. Even if we do get more cold weather, these challenges don't usually involve a great deal of outdoor time, making them very accessible for all kinds of families.
Enjoy the link!
Monday, 2 March 2009
In The News
Please, if you are able, take a look at an article today's National Post (p. AL8) called Recess to the Rescue which covers all sorts of contemporary research findings about how time spent in nature is as effective or more effective than medication for children with ADHD. It talks about the important role of recess and how walks in natural settings are more effective than those in urban settings on improving concentration and attention. And it talks about the role of play, and playful learning environments. (Maybe the article will be on the web tomorrow, not sure how the National Post does that).
As if that was not enough, the Hamilton Spectator, had a story sub-titled, Intense Cognitive Training may overcome disabilities (p. Go 6), which discusses the Arrowsmith program, which uses the close study of works of art (by students) to improve cognitive abilities and improve attention.
...nature study, picture study...are we on the verge of an appetite for a new paradigm for education?
Monday, 2 February 2009
Prang Refills, Anyone?
I went looking online for a place that would sell refill paints for the Prang Oval -8 watercolours and found on in Ontario. They sell the refills in packs of 12 of the same colour for $6.95 and offer free shipping with orders over $35. That would involve me buying a lifetime supply of refills for our family! So I thought maybe there are others of you out there who would like to combine an order for refills. If you're interested, please comment or email me, and I'll work out the details with you. (It would work out to about $0.65 per refill tablet once taxes are factored in.)
For sure I'd order yellow (two of our three paint sets are almost completely out of yellow!), blue, and red, but other than that I'm open to requests.
Sunday, 16 November 2008
New Nature Study Post at ChildLight USA
Tuesday, 11 November 2008
Reality: A Link
Monday, 22 September 2008
Techniques of Dry Brush Painting in Nature Study by Sandra Zuidema
A. Keep in mind that this is nature study, not painting, drawing or art class
1. What you observed
2. What you know (Comstock…)
3. Good technique for drawing/painting it (e.g. See how the grape tomatoes are all perfectly round, how the top ones are dark orange/red but get progressively lighter until they’re green at the bottom, how they are progressively smaller…Why? What side looks like it’s in shadow?)
B. Paint Box:
- Use small brush (#2)
- Transfer colour to the lid
- Mix colours in the lid
- Don’t wash them off; just add a little water next time and re-use
- Keep box open until dry
- Don’t use the green and rarely the black
C. Painting:
- Date, Common name, Latin name
- Observe object from the angle you will draw it. (Sometimes the children might choose a simpler position, other times they might like to challenge themselves.)
- Hold the paintbrush like a pencil. The bristles should form a point once wet. Paint with the point, just like with a pencil.
- Paint the outline in light yellow as if you were drawing it. (This is the most important part of your painting because it determines the size and shape, so take your time.)
- Work from lightest colours to darkest colours, in layers.
D. Shadows and Definition:
- Shadows: Shading is what will make your painting look alive, rounded, full. To find the right colour to shade with (NOT black!), take the colour of the object (e.g. yellow) and mix it with its complimentary colour (purple). Use this new colour (mud) to shade.
- Definition: Take the complimentary colour of the object (e.g. if your flower is yellow, take straight purple) and scantily outline the flower. I usually find that putting a very thin line on the shadow side of the flower and maybe in the folds of the leaves or the heart of the flower will make it pop out. The key is to use it very sparingly, rarely using a solid line.
Wednesday, 17 September 2008
Dry-Brush Exercise - Nature Study in Progress
Our specimens, laying out and ready to be chosen: Maple leaves and Black-Eyed Susans.
A leaf outlined in yellow , ready to have colour added. Yellow is used for this first step as it is easy to cover over with green. This way you have an opportunity to perfect the details of size and shape before going to a less forgiving colour.
A red Maple leaf. Mixing the right shade is one of the trickiest parts, and intense colours can be achieved by layering the colours.
The colour testing paper can be a beautiful thing in and of itself. There is no end to the variations of colour that can be achieved, and it's nice to have a scrap to test the colour on before it's applied to the painting.
An autumnal leaf - just changing from green to golden-orange. This one has had details of shading added as well as dark edges for definition.
This leaf, heavy in reds, has striking green highlighting the main vein. Notice the lighter spot on the top of the leaf? See how the painter of this specimen tried to capture that in the painting? First WHHE meeting of 2008 - Nature Study Notes by Jennifer Talsma
As the we were preparing this section of the meeting, we were struck by how much Karen Andreola’s chapters [33-35 in A Charlotte Mason Companion] reminded us of a session on Nature Study that S. and I attended at the ChildLight USA conference in June, led by Deborah and HollyAnne Dobbins, mother and daughter nature study teachers at a CM school in the south. So as I talk about these chapters, I’d like to weave in things from the Dobbinses, leading up to S's instruction in a dry-brush watercolour exercise that we experienced at the conference.
First of all, why do we do Nature Study? Karen says that in a Charlotte Mason education, there are two main reasons.
The first is that it establishes a relationship between a person and creation. On page 255, Karen quotes Charlotte Mason:
"We are all meant to be naturalists, each to his own degree, and it is inexcusable to live in a world so full of marvels of plant and animal life and to care for none of these things."
And the second reason is because it points us to the Creator. Karen quotes Audubon, also on page 255, to illustrate this:
"When I had hardly learned to walk, and to articulate those first words always so endearing to parents, the productions of nature that hay spread all around were constantly pointed out to me. . . My father generally accompanied my steps, procured bird and flowers for me, and pointed out the elegant movements of the former, the beauty and softness of their plumage, the manifestations of their pleasure, or their sense of danger, and the always perfect forms and splendid attire of the latter. He would speak of the departure and return of the birds with the season, describe their haunts, and, more wonderful than all, their change of livery, thus exciting me to study them, and to raise my mind toward their Creator."John James Audubon quoted in A Charlotte Mason Companion by
Karen Andreola, page 255
Sometimes it comes about informally, as you’re going for a walk to friends and one of the children sees a bird, or an insect, or a leaf skeleton along the sidewalk. Take a moment or two, observe it, and when you get home, try to describe it and locate it in a field guide or draw it in a nature journal.
Karen’s book has lots of suggestions for small nature study projects that you can do with your children whether you are in town or country. Chapters 34 and 35 are full of ideas. A key element in each one, though, is the Nature Journal. It is here that observations are recorded – dated entries that include drawings, poetry or prose, personal reflections about the item being journalled. This is simply a book, any kind will do, really, as Karen tells us in chapter 33: blank or lined, hard bound or soft cover; Karen even says that small children might prefer to work on loose paper and mount only the entries they choose to keep into their notebooks.
We have kept nature notebooks sporadically since my oldest was about 5, and you can look at my family’s samples as well as S and L’s after the meeting (you can see some of our samples by looking at the Nature Study topic here at PeaceLedge. L's are posted at "the world as we see it". I'll see if S will offer photos or a links for hers). These things do become treasures to the children over time. They see how their observation skills are expanding, and how their ability to accurately represent what they observe is growing, too.
You’ve heard me use the word observation many times already. Well, Karen points out in her first paragraph on page 253, the importance of observation when it comes to nature. Observation is how we come to know the natural world, how we come to care about it. Without observation there is no chance of a relationship.
I found this passage written by Charlotte Mason:
Do you see the emphasis on observation, of accumulation of visual details which get sorted, collated, arranged, and categorized by the children on their own? This is the ‘common knowledge’ that precedes science teaching – and continues alongside it. This was something emphasized by Deborah and HollyAnne. They would take their students to the location they had selected for observation, and each student would choose a specimen. Then the students would return to their seats (or, if the whole class period was being held out of doors, they’d find a spot to sit) and they would silently investigate their specimen for a full minute. They would carefully turn their flower, looking at it from every angle, seeing what they could discover about it, handling it gently so as to preserve its beauty."In Science, or rather, nature study, we attach great importance to recognition, believing that the power to recognise and name a plant or stone or constellation involves classification and includes a good deal of knowledge. To know a plant by its gesture and habitat, its time and its way of flowering and fruiting; a bird by its flight and song and its times of coming and going; to know when, year after year, you may come upon the redstart and the pied fly-catcher, means a good deal of interested observation, and of, at any rate, the material for science.... They notice for themselves, and the teacher gives a name or other information as it is asked for, and it is surprising what a range of knowledge a child of nine or ten acquires."
After that minute of observation, they would tell a partner what they had seen. During this time, the student listening was required to remain silent and attentive – his turn to share would come. It was amazing when we did this in the workshop, the number of details that our partners came up with that we hadn’t – and vice versa. There is a world of beauty and detail in each specimen, just waiting to be discovered!
I want to quickly add that Nature walks and nature journaling are not Science instruction time.
Charlotte writes in volume 3:
Nature study is a gentle time, a calm time of observing creation, and having our eyes raised to the Creator."The teachers are careful not to make these nature walks an opportunity for scientific instruction, as we wish the children’s attention to be given to observation with very little direction. In this way they lay up that store of ‘common information’ which Huxley considered should precede science teaching; and, what is much more important, they learn to know and delight in natural objects as in the familiar faces of friends. The nature-walk should not be made the occasion to import a sort of Tit-Bits miscellany of scientific information. The study of science should be pursued in an ordered sequence, which is not possible or desirable in a walk."
We want to give you an opportunity to try the dry-brush technique that we learned from the Dobbinses in June. I had been very intimidated about entries in our nature journals – I’m not an artist, our pictures were poor representations of the specimens we were choosing, and painting? Well, painting sounded like a lot of effort, so we stuck to pencil, pencil crayons, even going as far as watercolour pencils and crayons, but sometimes not even adding the water afterward! I wanted to try it, and having done it in the workshop I realized how very accessible it is. We considered demonstrating it only or having an opportunity to try it after the meeting if people chose to, but felt that the greatest benefit would be in trying it yourselves, seeing how easily it can be done.
A couple of things to keep in mind are that ideally the students should be silent during the dry-brush time. This is a time for quiet work – observing, reproducing. Sometimes Deborah and HollyAnne play soft music, other times there is complete silence. When the painting is done out of doors, the sounds of the environment naturally provide the backdrop.
The children’s work is not to be criticized or corrected, although using a step-by-step method to label the drawings, and so on, will encourage careful work and accuracy.
Always remember that the goal of this exercise is observation and a greater reverence for the Creator, not perfect representation of the specimen. If we wanted that, we’d take a photograph, and even that wouldn’t be perfect. No, the point is that the children spend time looking, learning to love what they see and the One Who made it.
Monday, 1 September 2008
100 Species Challenge Link Corrected
Friday, 15 August 2008
One Hundred Species Challenge
Sandy Rusby Bell pointed me to this great idea. The point is to familiarize yourself with 100 species of plant life within walking distance of your home. Read the whole post to get instructions on how it works. It sounds like a great way to kick-start nature study for the new school year. Even if you don't blog yourself, you can do this in your nature journals, or even email this blog and share your information here, that way we can all benefit from what each of us learn. Do any of you think you'll give it a try? Please leave a comment if you plan to participate in this challenge.We're getting ready to start school again after a wonderful summer of travel, play, and simply change of pace. Keep watching for the 2008-2009 meeting schedule which you'll receive in your inbox as well as post here on the blog.
Blessings to everyone these last weeks of summer!
Jennifer
Thursday, 17 July 2008
Anna Botsford Comstock
Isn't it exciting to know that Comstock has been recognized for the contributions she has made to Nature Study? And to think that many of our children (as well as us!) are benefiting from her wisdom and insight.
I believe that she'd be honoured to be recognized in such a meaningful way, don't you?
In her book, Comstock emphasized the rewards of direct observation. She was ahead of her time in stressing the importance of natural relationships that work to form what we now call an ecosystem. The point of her approach to nature study, she said, was to "cultivate the child's imagination, love of the beautiful, and sense of companionship with life out-of-doors."
-- From the Conservation Hall of Fame Website
You can read about other inductees by visiting the National Wildlife Federation's inductee page.




